For example, in The Hunger Games, Katniss is driven by her desire to protect her sister and create a fair and peaceful world. Ask yourself what your protagonist's goal is and what drives them to achieve it. One good place to start is considering their motives. Since they’re going to make or break the book, you should have a good idea of who they are before you start outlining, which includes all your non-protagonist characters. Next, you’ll want to consider the walls of your novel: the characters. Ultimately, your outline will give you a path you can follow as you draft, so you don’t get lost.
must to or else ?Įssentially, this will help you understand who your protagonist is - how they got to this point in life, how they think, their goals and desires.īear in mind that literary fiction, which is often voice- rather than plot-driven, may not fully fit this sentence - but it’s still worth trying to establish as many of these central pillars as possible. When you’re done, you should be able to complete this sentence: You’ll expand the answers to some of these questions further in the outline, but keeping each point in mind throughout will allow you to create a well-rounded story. Why is this story important, or alternatively, why is this story happening?.
Then work your way through the 5W (and H) questions to flesh out these core facts: Take a step back and ask yourself another important question: Why do I want to tell this story? If all you’ve got is a sense of the themes you want to explore (e.g., grief, trauma, coming-of-age), it’s best to start by grounding those themes in concrete details. In a nutshell, the premise is your book’s central facts and the answer you will have to give when editors ask about your story. This is the first stone that will make up the foundation of your novel - and you want it to be sturdy. Think of this process as building a house. Solidify the premise of your storyīefore you can write a compelling plot, you need a good premise.
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